Showing posts with label sweet sweet music. Show all posts
Showing posts with label sweet sweet music. Show all posts

Wednesday, December 15, 2010

How to attend an Ozzy Osbourne concert (November 27 2010, Air Canada Centre, Toronto)




This was my second Ozzy show, so I knew what to expect.  Basically, I expected AWESOME and that is exactly what Ozzy delivered!  It was pretty much the same show as the one in Hamilton a few years before which I am perfectly okay with, because this act never gets old for me.  If you ever get a chance to see him live, GO.  It's worth it!




First thing I can tell you about going to see Ozzy is that the arena will be half empty for the opening act.  Hate to say it but it's true.  Sorry, Rob Halford.  You were amazing in Judas Priest, and you are as haavy as ever, but Ozzy's fans are rabidly loyal.  

Ozzy knows it and gives it all back to the audience.

You'll know it's almost time when the lights dim and the giant screens light up.  He always starts the show with a screamingly funny video montage with Ozzy ripping on all the big pop culture events.  This time around, Avatar, Jersey Shore, Lady GaGa and Beyonce (Ozzy rarely turns down an opportunity to make an ass of himself in drag!) The Hangover, and to top it all off... Twilight.  Ozzy in a puffy Edward wig and huge magazine worthy eyebrows... when she says it out loud...VAMPIRE... Ozzy replies, "Vampiah?  Vampiahs ah PUSSIES!  I'm the Prinzafucchhhhingdahkness!!!"

Never let anybody tell you that this man does not have a sense of humour.

Finally the man himself is on stage, grinning, clapping, and demanding that we join him.  And I do mean, DEMANDING.  

"I CAHN'T FOCCHHHING HEAAAAAA YOOOUUUUU!"



And he probably truly can't hear us, but it doesn't matter, because we will yell louder than we did before,  just to make sure Ozzy can focchhing hear us!

When he yells, "LEMME SEE YA HANDS!"  well heck if I had six hands I'd throw 'em all up in the air.

Understand what an accomplishment this is, because I am not a clap-along kind of person.  I get really uncomfortable when we're supposed to clap along in church, I'm not kidding.  And yet here's the most demented insane cheerleader on earth clapping his hands above his head and I'm right there.


He tells us he loves us and we believe him.  He might not know what city he's in but I have no doubt he loves us!  In Toronto he confided that he's still insane and it's f***ing good to be crazy.



Darn right, man.  Couldn't agree more.  Shout it loud.

He then announced that he's been doing THIS for FORTY-TWO YEARS.  This is important to understand, because people have been saying great things about his last couple albums, things like, "Ozzy's still got it" and "Ozzy knows how to do his thing yet stay current."  This is all true.  But the thing is...

Ozzy invented this stuff.  


And he's not kidding about being crazy, either.  I saw the roadies bring out the friggin fire hose during between acts and I was glad I wasn't in the floor seats.  Let me tell you, if you're in the first few rows at an Ozzy concert, you are going to get soaked.  






It wasn't even a fire hose this time; it was like a soap cannon or something.  Ozzy likes to stick his head in a pail of water every now and then throughout the show.  Then he comes up to the mic looking all deranged and gruesome, clapping water drops and grinning.  Being a generous guy he shares with the audience.  He douses himself with the foam hose, which makes him grin maniacally and totally looks like the Joker.  I mean, the Ledger version of the Joker.  Demented!


Then a roadie dressed in black scurries out to wipe the foam off the monitors and refill the water buckets.
Fun!  

What impresses me the most is the man's voice.  He sounds great - pitch perfect, confident of every note, and just as clear as thirty years earlier.  He hasn't lost that distinctive sound that only he has.  He may move with the jerky clumsiness of an old man, and sometimes look like he's hanging on to that mic stand for dear life, but his voice is as solid as ever.  It's like no time has passed.  It's pretty amazing considering the abuse he put himself through.  

Ozzy has an excellent band backing him up.  I really think this is one of his keys to success: always having the best musicians around him.  It's been working for four decades... why mess with a good thing?  

He introduced his band, starting with bass player, Blasko.

That's Mr Blasko to you.

At our gig he wore a T shirt depicting Ozzy with a Canadian flag.  Nice!



On keyboards and guitar, Adam Wakeman, whom I could not see from where I was sitting... when I first saw him come out to play guitar for a Black Sabbath song, I thought he was the mystery guest.  


Good thing he was there, too.  "Mr Crowley" wouldn't have been the same without him!


Ozzy described drummer Tommy Clufetos (had to look up the name; unintelligible) as really skinny but he plays like a Muthahf*********ah.  



No kidding.  This guy is intense.  And, he's got the coolest drum riser... it lifts up above the stage and shoots smoke out of pipes like exhaust pipes and it's the kind of gimmick that makes all of us adrenaline-fuelled headbangers lose our minds.  Plus he's a hell of a drummer!



Before introducing his guitar player, Ozzy reminded us that he has played with some of the best guitarists on the planet.  Tony Iommi.  Randy Rhoads. Jake E Lee.  Zakk Wylde.  And now...

GUS G.



Now I didn't know much about this guy going in, other than his mind blowing work on the new album.  I'd seen a pic in a magazine and thought, "He looks like a KID!"  And also, "Hmmm.  Gus.  Long thick curly hair.  Sideburns.  Betcha he's Greek!"  Aren't all Greek guys called Gus or Stavros?  I'm thinking about the last guy who cut my hair, an incredibly hetero dude with those dark brown bedroom eyes, who couldn't stop complimenting me on my long thick curly hair.  He thought I should have been Greek too.  

Well I don't know what they're drinking over there in Greece, but young Gus G here has been a rock music phenomenon in Europe for years, proving once again that we in North America are always behind with this stuff.  


The four of us were debating how old he is.  The guys figured less than 25 but I suspected he's older than that but baby faced.  I was right.  He's thirty.  Regardless, he's never lived in a world without Ozzy Osbourne.  And now he's up there on the stage at the guy's left hand, a position formerly occupied by a string of guitar heroes.  Wow!

And see what I mean about baby faced??? I mean, he slings a mean axe, but how cute is he?


And I do mean cute in a wicked, haavy, frightening, METAL kind of way, of course.  


In searching up pictures, I found the most epic one of Gus.  (Good timing, photographer!)




This makes me want to have every picture of me from now on be taken like this.  

If you love a good rock show and you get a chance to see Ozzy live, GO.  DO IT.  You will not regret it.

They play songs spanning the entire career, from the monstrous Black Sabbath to the huge hits from his early solo career, and new songs.  

Wear good shoes, because you will be on your feet for two hours.  Be prepared to clap so much you start worrying that the big scar on the inside of your knuckle could bust open and spew blood everywhere (although Ozzy would probably think that was funny.)  Understand that you will not have much of a voice the next day from all the yelling and screaming and hooting and hollering.  If you make a living with your ears, I'm not kidding, you better wear ear plugs. It's ok, it really only takes the top end off. Believe me, ear plugs cannot silence this audio avalanche!

You'll walk out of that concert feeling... cleansed!  Happy!  And loved!  Because this really is a giant heavy metal love fest.  Ozzy loves us, we love him.  At the end of the night, he very clearly says, "God bless you all!"  

Awwww.  Ozzy you're so sweet.  And yet so delightfully frightening.  


I've heard people accusing him of becoming just an irrelevant joke, but I so strongly disagree.  He simply refuses to take himself seriously.  Nobody has more fun on stage, rocking out, than Ozzy Osbourne.  He fully intends to do this forever and croak right there on the stage.  

I just hope he keeps this up for a few more years, because I'd love to get to Ozzy concert #3.  

Monday, February 09, 2009

2009 Grammy report, brought to you by Hick Chic

For us, a music biz family, the Grammy awards are AN EVENT.  We all hunker down to watch, including the dog and the cat, although I suspect they're just in it for the stray popcorn.  

Short summary: With Robert Plant and Alison Krauss sweeping up the place, I feel good about music again!  On the other hand, the sound on this show was inexcusably BAD.  If I can tell how bad it was on my non-HD Sony 20 inch TV, without the audio run through the room speakers, then it had to be bad.  

Anyways.  You're here for the highlights and colour commentary.  Let's go!

The show opened with U2.  And they were U2!  Wheee!  The big screens helpfully flashed all the lyrics.  Thanks.  They played their new single, "Get On Your Boots" which I'm thinking of adding to my Theme Song List.


Then Whitney Houston showed up. I have no picture, but I will say that I was relieved.  She looks like WHITNEY HOUSTON rather than like a washed up, beat up, cracked up mess.  Were we all worried?  She's looking good.  Apparently the gossip is that she was acting kinda crazy, to which I say... So?  This is the music biz.  What is your standard of crazy?



Jennifer Hudson won a Grammy, looked gorgeous, thanked her family in heaven and here, and was pure class.  It was a bittersweet moment, and she handled it with such beautiful dignity.

She is amazing.  I might be developing a little bit of a girlcrush.

Soon after that, Justin Timberlake brought out Reverend Al Green, who then proceeded to make Justin Timberlake sound like a little white boy.  Yeah, I know.  He is.  He's super talented, but... Al Green.  Yeah.

Coldplay did a performance and I suddenly found myself wondering why I sort of don't get it. Doesn't everybody love Coldplay?  I mean, they're really good right?  Well their outfits were neato and the drummer appeared to be having a hell of a good time with his giant bell and tympani set-up.  I think it was a tympani.  Really, the bell was very cool.  (We should get one.)

When they won for Song of the Year, an award given to the songwriters, I was tingling with anticipation... I was waiting for guitarist Joe Satriani to leap up on stage and announce that they ganked the melody from one of his songs, or bring his lawyer or something.  But no!  Not to be.  Maybe I made up that whole melody-stealing thing, or I was half asleep and only dreamed that I heard about it on the radio.  No Soy Bomb for you.

Carrie Underwood hit the stage in what is becoming all too common for her: a weird outfit with wings.  The fact that I like weird, and wings, but did not like this outfit, speaks to how bad it was.  
 Left: acceptable but suspiciously synthetic looking red carpet dress.  
On the right, I just don't know.
However, Carrie's lovely, has great legs, plus those shoes are killer, and she can sing the hell out of anything, so she's excused.



Kid Rock did a thing, and I went back to liking him, the scuzzy character that he is.  This is likely to change without notice.  I'm like that with him.  Later, the camera cut to him as his name was called for a nomination.   He had a drink in his hand.  Oh man.  Stay classy, and I mean that in the most sarcastic way!

Continuing my confusion, I had to watch a little Miley Cyrus/ Taylor Swift duet.  There was a whole lot of CUTE on that stage.

I'll give you this: they appeared to sing live, for real.  The Cyrus kid's got pipes and the Swift kid can play guitar and sing at the same time.  

But I don't get it.  Maybe it's because I'm old, maybe it's because my kids have never been into the Disney-showbiz-kid thing, and they'd rather listen to Apocalyptica and Sepultura.  Yeah, it could be that.  In any case... I don't get it.  Maybe it's not them, it's me.

When Alison Krauss and Robert Plant got their first Grammy of the televised awards, there was a collective yip of happiness in our family room, followed by Jethro and me flinging our hands up in the air and sighing in thankful relief.  MUSIC, people.  This is still about MUSIC!

Robert Plant said that in the old days, this would have been called "selling out" but if was really a nice way to spend a Sunday afternoon.  Snort, hee hee.

I couldn't help but wonder, though, if these two youngsters know who they just handed a little golden gramophone to.  I mean, they've got to know, right?  My kids are younger and believe me, they know who Robert Plant and Alison Krauss are.

But I have this vision of the girls linking arms, heading back stage, and giggling about the wacky British dude.  I wonder.  These kids are supposed to be music artists; they'd have to know that the man is ROBERT PLANT I mean, Robert freakin Plant, and that the pretty woman is ALISON KRAUSS and that she is collecting up her 22nd Grammy, and that she has more of them than any other woman on the planet.  The girls would have to know that they were on the same stage as Greatness, wouldn't they?

(Honestly the sound was terrible.  Right about here I turned to Jethro and asked if the sound guy on this gig should get fired.  I cannot print his reply.)

Now if I didn't get the Cyrus/Swift thing, I really seriously did not get the Jonas thing.  I might never get it.  I'm still trying to figure out, the next day, what in the heck they were doing up there with Stevie Wonder.  Hello?!  Who's idea was this?  I'm pretty sure Stevie will get up there on the Grammy stage anytime, since he owns it and all.  

But I just did not, did not, did not understand this.  If anybody can explain it, please do.  

When Coldplay won an award for Rock album, I giggled.  I scoffed and I snickered. 

Then Chris Martin won my heart and said that they're not so much rock as, say, limestone, which cracked me up.  We have a big thing in our family for the oxymoron known as "soft rock" and feel that it generally should not exist, but I'll let Coldplay go because... they are good, aren't they?  Right?  They made a little joke at their own expense, which is always refreshing.  Plus I like their Sgt. Pepper-esque suits.  

And still, no Satriani.  I must have dreamed that.  Never mind. 

You know, they were in the Rock category with Metallica.  Let's see, when you think ROCK and are given the choice between the two...

It's okay. Apparently Metallica got the Metal award.  That should be obvious!  Here is Robert Trujillo, bassist, loving up his little trophy.  


He does not look heartbroken about losing the Rock award to Coldplay.  

Kings of Leon were also in that category.  

I'm including their picture because it's my blog and I think they're cute. Apparently they won an award off-screen for their song "Sex On Fire" which previously won an award from me: the NOT AS MUCH FUN AS IT SOUNDS AWARD.


Okay, my British friends: Who is this adorable Adele person?  She is so appealing!  And man, she can SING!  
How did she sneak under my radar?  In her speech she declared that she loves Duffy.  To which I say, who doesn't!



I would like to report now that A) Katy Perry is wack B) I think I like her but I didn't get the stage set, because I wasn't sure if the giant fruit was supposed to be sexy, C) I also didn't like her dress because it appeared to have plastic fruit hot glued to it, D) I'll give her huge credit for singing it live, and you could tell because you could hear her breath from all the jumping around, E) singing the chorus along with the track.  Yes, it was track.  Duh, there was no room for actual musicians on the stage, what with all the stripping dancers.  

Sorry, no photo.  NEXT!

Further adding to the list of Things I Don't Get:  Where does Kanye buy those awful clothes, and why must he drag Estelle there?  

See him behind her?  You can't really see it but... I think he's wearing his hair in... a mullet!  A fro mullet!  A FRULLET!  I am officially confused at this point.  Also it took seven people to write that song.  Just felt like pointing that out.  

My confusion increased when Morgan Freeman aka GOD introduced Kenny Chesney as a good friend.  I couldn't get past the annoying ground hum in the audio- like, what is this, a basement full of teenage cover bands? - and I had to go to the bathroom.  

Plant and Kraus scooped up anothe award YAAAAAYYYYYYYY  for Record of the Year, which is for the artist. The song on the nomination was "Please Read The Letter."  Natalie Cole did not read the letter, because she got the title of the song wrong. Twice. Forehead smack.

But I see things like this...


... and hear Robert Plant thanking Alison, and the producer, T Bone Burnett (that's him with them) and the engineer, and how he and Jimmy Page wrote this song years ago, and all is right in the world.

Have I ever mentioned that I love Robert Plant?

Have I mentioned that the sound was terrible on this show? Man, it's a MUSIC AWARDS SHOW and we couldn't hear any music as the artists walked up to the stage to get their goodies. Gah. Frustrating! Who's running this show? Did the guy who sets the brick on the button go out for a beer or what?

M. I. A. totally cracked me up. She's about 11 months pregnant. Ha ha. She performed live on her due date. Gutsy chick! I'm slightly jealous because I never made it 9 months. And I kind of wanted to, except for the fact that I literally could not walk.

I can't say that I understood the performance... in fact, I thought there was something going wrong at first.  It sounded like the four rappin dudes came out and cut her off.  I suspect all of it was synced to track. I really don't care; I admire women who are on their feet while pregnant, whether it's running a cash register, running a farm, running after a toddler, or running around on a stage wearing a bizarre half-see-through polka dot thing!
The blue tent is fun, but the black outfit is hilarious. The baby belly is awesome!

One of the most hyped performances of the night had to be that of Sir Paul McCartney and Dave Grohl.  Both of these guys are singer/songwriter/ instrumentalists.  Both were a part of bands that have been influential to the point of being legendary.  Both went on to new and successful projects.  

But what really matters is that they played "I Saw Her Standing There" while Sir Paul looked the healthiest and happiest he's been in years, and Daaaaaave Grooooohhhhhhhl....

...appeared to be The Happiest Drummer In The World.  He kicked the hell outta that song!  I love it that Grohl so clearly and obviously loves music.  He grinned all the way through it.  And, it was great to see McCartney's old Hofner bass again!

I'm not totally familiar with Sugarland, but I will sum up their sweet performance in four words: That Girl Can Sing.


I was eager to see Radiohead perform.  I never know what to expect with those guys, but I know it'll be brilliant.  

They did not disappoint.  

Holy smokes, they came out backed up by this massive marching band to play "15 Steps" which, in my under-educated estimation, cannot be an easy number to play!  

Here are the comments in our family room during and after:

WOW!

RiDICulous!  

HAAAVY!

Amazing!

That pretty much knocked me out... my brain was blown.  The next few lines in my notebook (yeah, I watch the Grammys with a notebook!) are slightly mushy and don't say much.  The most legible quotation would be, "What a terrible mix.  Somebody needs to get fired."  Sounds like something Jethro would say.  

I was getting tired of the ground hum.  And getting tired.  I don't understand why it has to be so long.  The Juno awards are a tight, rocking two hours, and that's including the seven awards given out.  The Grammys hand out ten awards but we have to stretch it out to more than three hours????  I would like to thank Robert Plant for his nice short concise acceptance speeches.  I'd listen to him all night (I love his speaking voice) but he had the brains to keep it short and sweet.  

I would have enjoyed the Blues tribute (including John Mayer and BB King) but I couldn't figure out who was playing what.  They'd show a guy playing a part that was not the lead that I was hearing.

Gah.

Neil Diamond came out to do "Sweet Caroline" and the dude is exactly the same, except older and grayer.  He looks and sounds just right, and I thought affectionately of my Mom's little sister, who was always my cool aunt, and had pretty much every Neil Diamond record ever.  

There was a New Orleans tribute, in which Lil Wayne and Robin Thicke strutted around the stage in front of a montage, because you know everything's better with a montage.  I think Robin's a good singer but how the heck could you tell?  Was his mic even on?  Geez.  Clearly it was getting to be past my bedtime.  

Speaking of Lil Wayne... I know sweet F. A. about hip hop and rap.  I really don't have the stomache for the bitses-n-hoes-mah-homies-mah-hoopty-rims-got-shot-nine-times thing.  (I tend to gravitate towards the fast-car-sleazy-girlfriend-big-****-Whaooooyeah kind of thing, but mostly because it is delightfully, stupidly ridiculous.)  Lil Wayne kind of won my heart last night.  He ran up to the mic and did the coolest victory leap, jumping up and kicking his heels together.  How do you do that?  Then, he had what appeared to be his entire extended family come up to the stage with him.  He smiled with his giant teeth and did a nice short speech which I can't totally remember, but thanked "God" and "You."  Aw.  He didn't cuss or talk like his mouth was full of marbles.  Well done, young man.  I approve.

Now pull yer darn pants up.

When Raising Sand won Album of the Year, I felt like there is still hope in the world of music, and I could go to bed and sleep well.

I fell for Robert just a little bit more.  He thanked producer T Bone Burnett, he thanked the engineers by name, (even though it went by so fast, I can't tell you what it means to me that he took the time to thank them) and he thanked the band.  He thanked Alison for "teaching me how to sing in straight lines instead of all that twirly stuff."

I wrote that down because it made me snicker, but it also made me think.  Here's a guy who is known to many as a Rock God.  Or rather, THE Rock God.  In his late 50s, he started a project that took him in a different direction.  He hadn't done harmonies with another singer.  He took a chance, and he learned something new.  He relied on a woman more than twenty years younger than him to guide him.  I think that's beautiful.  

Have I mentioned that I adore him?  I think I have a pretty solid girlcrush on her too.  Alison Krauss is completely amazing.  

Overall, the 51st Grammy awards didn't disappoint me.  We got some great performances, some totally weird ones, and some bloomin' awful clothes.  The sound quality was deplorable but it gave Jethro a chance to spout some creative insults at the TV, and that's always fun.  

I love showbiz, I love theatrics, but most of all, I love music.

How about you?  









Tuesday, November 27, 2007

RAISING SAND by Robert Plant and Alison Krauss


Sometimes an album comes along that is so different, so unique and so darn special that it keeps you coming back for another listen, over and over. This is the one.

The first thing that sets it apart is the unexpected collaboration. He's a 59 year old heavy metal pioneer who was one of the first great archetypal rock stars. She's a 36 year old bluegrass artist who sings, writes, plays fiddle and produces.

Together, they've made a record that spans decades and moods and never turns out like you expect, and yet, it makes so much sense that I find myself wondering why this didn't happen sooner!




The most important thing for my recording engineer husband is that THIS RECORD SOUNDS SO GOOD. You can thank T Bone Burnett for that. The band is solid and everything sounds right. This record has passed the following tests:
-the Jethro test
-the Jetta test
-the dining room test
-the iPod test

I'm not worried about the Grandma test...when I told my mom about this record she brightened up and said, "Oh. I like Robert Plant." I tried not to show it but I was kinda floored. I had no idea! After twenty years of me going on and on about this guy, and now she fesses up!

As for the Papa test...My ol man LOVES harmonies. He loves to sing it and listen to it. We played a couple of songs for him, resulting in a smile and "Mm hmm!" which is the seal of approval from this guy.

Seriously, if you appreciate harmony, this is it. Plant has stated in interviews that Krauss taught him how to sing.

!!!!

He hadn't ever sung harmony with another singer. He'd recorded a part above his own melody part but this was very different.

And does he ever sound good. He's dropped the rock god persona, and just sings beautifully. As for Alison Krauss, I have never heard her sound anything but gorgeous and she does not disappoint.

It's quite spine tingling how well their voices work together.




What I really love is that you are never really sure what time or era this all takes place in. There's something old sounding about it, evoking visions of sunlight streaming into a dusty room where two musicians pluck strings and sing...like you aren't even supposed to be there to hear it. But it's also modern- polished, perfected, professional.

It's not bluegrass...it's not rock...it's not country.

It's...

Unexpected? Awesome.

Bottom line, what counts more than anything else in music, the SONGS are excellent.

With this glowing review you'd think I knew somebody who worked on it. I don't. However, I do know somebody who wishes he'd had a chance to be a part of this record!